av Stan Hawkins
av Gisela Attinger
The repertory of liturgical chant of the medieval archbishopric of Nidaros included an exceptionally large number of sequences, a fact that has been addressed by several scholars already. Another relatively ...
av Håvard Skaadel
Mozarts ninth piano concerto K271 is a key work to the Classical way of writing piano concertos. It leans on Johann Christian Bach but the dimensions are greater, permitting ...
av Øyvind Aase
This essay aims to find esthetic correspondences between technological and musical functions in connection with sound recording, to facilitate a fully artistic practice in the recording studio. Focus is laid ...
av Anne Danielsen
The article concerns the question of canon formation in popular music, with a special focus on the filtering processes through which some artists, bands and songs are included in the ...
av Lars Jørun Langøien
Theories on music, and especially theories on improvisation, might be helpful in the understanding and planning of multi-disciplined team work. The improvised interplay between the musicians in a jazz ...
av Harald Rise
This article compares and discusses stylistic characteristica in the organ works by Max Reger and Sigfrid Karg-Elert. Despite their common background, they seem to represent two very different composing ...
av Kyrre Tromm Lindvig
This article attempts to analyze the widely successful TV-series Lost in special relation to the overwhelming materiality of its musical score, as well as situating it within a post ...
av Reidar Bakke
Brahms and Grieg met several times, Brahms and Sibelius only had a short meeting, and Grieg and Sibelius did not meet at all. What did the three composers think about ...
av Erling E. Guldbrandsen
This is a study in musical performativity, taking up the challenge from recent studies in musicology (and in related fields of theatre, art, and cultural studies). The author claims that ...
av Carl Haakon Waadeland
A major focus of the present investigation is to apply a combination of movement studies and attack point detection in order to achieve analytical insight into different drummers performances of ...
av Asbjørn Ø. Eriksen
Edvard Griegs well-known «Springdans» from the fourth book of Lyric Pieces, Op. 47, exists in no less than six different versions, of which the first, entitled «Vandreslått» [Hiking Tune ...
av Sigbjørn Apeland og Odd Skårberg