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(side 3-6)
av Stan Hawkins
Dette nye nummeret av Studia Musicologica Norvegica er et vitnesbyrd om den store bredden i norsk musikkforskning anno 2005, et betydningsladet år i denne unge nasjonens historie. Tyngdepunktene i de artiklene ...
(side 7-25)
av Erlend Hovland
This article raises the question of the relevance of musicology. In order to expose some underlying problems inherent to the practice of musicology, important texts written by Nicholas Cook, Jim ...
(side 26-48)
av Asbjørn Ø. Eriksen
Sergei Rakhmaninovs three symphonies occupy a central place in the composers output, and are frequently performed. Yet there exist only a few extensive musicological works on them, which ...
(side 46-68)
av Thomas Solomon
Turkish rappers in Istanbul have indigenized the global musical genre of rap and hybridized it with local genres of Turkish popular music. The Istanbul rap group Nefret has especially fused ...
(side 68-84)
av Ernst Bjerke
Katedralskolen er en av de mest sentrale institusjonene i Oslos historie. Den var gjennom flere hundre år byens eneste lærested. Også skolens bibliotek har hatt en viktig stilling i byens ...
(side 85-102)
av Ove Larsen
During this article the author discusses south-sami music as an expression and part of contemporary sami culture. The article focuses on the south-sami artist Frode Fjellheim and his ...
(side 103-123)
av Odd Skårberg
During this article the author discusses south-sami music as an expression and part of contemporary sami culture. The article focuses on the south-sami artist Frode Fjellheim and his ...
(side 124-149)
av Tor Dybo
This article discusses several aspects of folk rock, a global cultural phenomenon that, in a European context, has gained importance since the 1960s. As indicated in the title, the phenomenon ...
(side 150-176)
av Jacqueline Ekgren
During this article the author discusses south-sami music as an expression and part of contemporary sami culture. The article focuses on the south-sami artist Frode Fjellheim and his ...
(side 174-182)
av Dag Østerberg
Although Brahms was born in a very poor part of the North German city of Hamburg, in the neighbourhood of the red-light district of St. Pauli, he was not ...
(side 183-192)
av Gjermund Kolltveit og Hans Olav Egede Larssen
Even Ruud: Lydlandskap. Om bruk og misbruk av -musikk ~ Dag Østerberg: Brahms