Erindringsbilder som fromhetsinstrumenter - Mnemologiske perspektiver på religiøs tro og praksis i europeisk middelalder
- Side: 142-152
- DOI: 10.18261/issn.1504-3029-2016-03-04
- Publisert på Idunn: 2016-10-27
This contribution explores the relationship between visions, images, and memory, and how this relates to the devotional culture. Through this I want to show that images are not only referential, “didactic iconographies” but productive. Here “meaning” is being produced through cognitive processes in the communicative act (or engagement) with images, as it was understood in the medieval period.