Wehrmacht med Eichenlaub i rumpen - Satire i Hannah Ryggens 6. oktober 1942
- Side: 2-15
- DOI: https://doi.org/10.18261/issn.1504-3029-2016-01-02
- Publisert på Idunn: 2016-03-18
- Publisert: 2016-03-18
In the years 1935–1946, Hannah Ryggen positioned herself as a critical and anti-fascistic voice on the Norwegian art scene with her political tapestries. Anti-fascism becomes a framework in which artistic and political strategies are synthesized into a symbiosis of form and content. Within this symbiosis, iconographic devices such as satire, caricature, the grotesque, the uncanny, redescriptions, inversions and double exposures are essential.