Idunn - testprodukt /
Artikler
- Leder (Side 3-6)
- Metaphor and Analysis in Hoffmanns Beethoven Criticism (Side 7-16)
This article examines the paradoxical coexistence of metaphorical and analytical language in Hoffmanns Beethoven criticism. The ambivalence of Hoffma...
- The Organic Montage - Aesthetic Organicism Reconsidered (Side 19-35)
Organic metaphors have had a remarkable staying power in the field of aesthetics, permeating the discourse well into the twentieth century. Organicis...
- Edvard Griegs symfoni. En -problematisering av påvirkningskildene (Side 38-57)
This article deals with musical influences in Edvard Griegs Symphony in C minor (1863-64), problematizing what has been written earlier on the subjec...
- «Mot Kveld», «en liten komposisjon» som har klebet seg fast til Agathe -Backer Grøndahls minne (Side 61-77)
The song Eventide has attracted a large number of listeners and performers and has above all acquired an important role in Norwegian music historiogr...
- Naturen i Rautavaaras musikk (Side 81-91)
The Finnish composer Einojuhani Rautavaara (born 1928) has written different types of music. In his production we can find solo songs, choral music, ...
- Kyriesanger i nordfranske -middelaldermanuskripter - En studie av repertoar og spredningsmønster (Side 93-116)
This study aims to expand and differentiate our views on melodic and formal particulars for the Kyrie chant. The Kyrie chant is an important type of ...
- Nye toner i salmesangen? - Aspekter ved forslaget til ny norsk salmebok (Side 119-139)
In The Church of Norway a comprehensive reform work is to be completed during the next year. The aim is to renew all the liturgical books, including ...
- Det klassiske fonogram - et ontologisk dilemma? (Side 142-152)
The classical phonogram has been a factor in our musical life for more than a century, but has only been regarded as an important musicological tool ...
- Grip mikrofonen? (Side 156-173)
Listening to 210 recordings of Griegs opus 5 no. 3 from 1899-2005, I have selected a small section of the song (bars 10-16), and analysed the singers...
- In search of lost hearing: On the concept of musikalisches Hören and the romantic paradigm of music (Side 177-190)
During the period 1900 to 1940, musical hearing became a key concept in German literature on music. As a concept it combined the nineteenth centurys ...
PDF av hele heftet
(Kjøp 250,-)